Ode to Osaka. Reinterpretation of Sverre Fehn’s project from 1970 by Manthey Kula. The new installation has a steel bench where you can sit and feel the space “breathe”.
Manthey Kula’s installation is not a full-scale realisation of Fehn’s proposal, but can be experienced as a space.
Fehn’s original sketch. The Osaka pavilion was conceived as a breathing, moving lung filled with clean air, a comment to the 1970’s focus on polllution.
Copyright: National Museum of Art, Architecture and Design.
From Fehn’s model shots for the 1970 competition proposal, which was bigger, and was to have images projected on the inflated surface.
Copyright: National Museum of Art, Architecture and Design.